Textured Mixed Media on Wood
Maybe nearing my end on this series of textured works on board. Will probably move onto larger pieces in the 24x or 30x range to make things more interesting. Currently been working on 15x and 12x pieces which do not seem to have enough impact/presence as well as making properly composed pieces feel cramped.
Several years since my last textured series, getting the MOJO back for this kind of work! It’s always been a fight finding the right surface for this Heavy Medium, however, the door panel takes to it like a Duck to Water.
I pride myself using everyday house products/objects for my stuff, this one is on a door, using house paint and simple drywall compound. However, I do use small artists palette knives as well as a couple of vintage (mid 90′s) drywall knives that are more supple than what you can buy today. For those of you that want to argue the “archival” debate, please read the ingredients in your media v. mine, I think you’ll find they’re cousins if not identical twins born of the same parent… well, you know what I mean.
This is about as minimal as I feel I can get for possibly suggesting a figure, I hope you see it. More Paint, Canvas and Fabric works. 20 x 12 alternate title, “Steak for Chicken”.
The last 7 pieces of this series has been made up of 2 – 12″ wide flat panel doors, canvas, texture medium, acrylics along with some minor woodworking. The use of “Hollow Core Flat Panel” doors will probably continue, they are easy to work with, will not warp or twist when properly used and has that 1 1/4″ profile. These type of doors are available from 12″ to 36″ widths by 80″ lengths, and modestly priced, possibilities are almost endless!
Posted in About Today
Tagged art, art under ground studio, baltimore, baltimore art, doors, fabric, hampden, mixed media, nude, paint, rick santiago, wood
This is the continuing experiment using Hollow Core Doors; this from a set of 24″ Bi-folds e.g. 12″, and Cheap Canvas, really a drop cloth. These pieces have minimal amount of Woodworking but just enough to make you wonder. Canvas was cheap enough with enough flaws to make it more interesting. Canvas was painted/soaked in a Canvas Duck Paint. On these, I did “squeegee” off excess paint, I probably won’t do this again, a few flaws appeared, I can see a slight deflection in the panels, most likely the canvas dried way too tight when squeegeed! If true, I can either not squeegee or I can paint panels before applying canvas to give a more slippery surface
My quest for the Perfect Imperfect Surface goes on…
Just rediscovered my old Canon PowerShot SD790 is! This little camera fits in my pocket and has more manual options than you realize…
It has come to my attention that I no longer photograph a great majority of my work before selling, I am going to try to gather all odds and ends images and post here…